[{"id":402922307801,"handle":"test-wholesale","title":"all wholesale","updated_at":"2022-08-16T17:25:15+01:00","body_html":"","published_at":"2022-07-08T03:40:47+01:00","sort_order":"alpha-asc","template_suffix":"","disjunctive":true,"rules":[{"column":"tag","relation":"equals","condition":"wholesale"},{"column":"title","relation":"contains","condition":"cabas"},{"column":"title","relation":"contains","condition":"negishi"},{"column":"tag","relation":"equals","condition":"Kasama Freestyle 2020"},{"column":"title","relation":"contains","condition":"muro-o"},{"column":"tag","relation":"equals","condition":"wholesaleothers"},{"column":"title","relation":"contains","condition":"nagatani"}],"published_scope":"global"},{"id":202197139620,"handle":"aya-kondo","title":"Aya Kondo","updated_at":"2022-05-01T12:23:52+01:00","body_html":"\u003cp\u003eThe work of Aya Kondo comes from a quiet obsession. A brief career as a public employee, and then time spent travelling in Asia led her eventually to pottery training in Mashiko. In 2001 in nearby Kasama, she established her own kiln, enveloped by nature. As the years pass, so has there been a gradual evolution in her style. A key element remains detailed arabesque patterning which she achieves by hand painting slip using a dripper. More recently Kondo has added deep moss green, Oribe type glazes in a patchwork alongside her trademark sweet yellowish brown. 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Each have their own characteristics, self-imposed restraints, and an idea of what you might find. What is interesting about Kasama, is that it has none of these things. Or rather that its characteristic is its sense of freedom.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/294329535\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/294327039\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","image":{"created_at":"2018-10-09T12:50:00+01:00","alt":"","width":1024,"height":1010,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/1457\/9110\/collections\/Kasama_potters.jpg?v=1551112071"}},{"id":202198548644,"handle":"kasama-potters","title":"Kasama Potters","updated_at":"2022-08-03T12:00:18+01:00","body_html":"\u003cp\u003eSixty miles from the capital, the town of Kasama exists at the point where the urban sprawl gives way decisively to mountains and rice fields. Long a supplier of ceramics to Tokyo, it now acts as a well established creative retreat. It is a vital location for the new wave of individual ceramicists in Japan. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1457\/9110\/files\/Kasama_Freestyle_logo_2020_480x480.png?v=1607815155\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5UPhFV0mX-Y\" height=\"238\" width=\"424\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2020-06-20T15:24:58+01:00","sort_order":"manual","template_suffix":"","disjunctive":true,"rules":[{"column":"tag","relation":"equals","condition":"Kasama Freestyle 2020"}],"published_scope":"global","image":{"created_at":"2020-06-20T18:41:44+01:00","alt":null,"width":2000,"height":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/1457\/9110\/collections\/Kasama_Freestyle_logo_transparent.png?v=1619866846"}}]
This bowl is from the patchwork pattern series of ceramicist Aya Kondo.The potter brings together her moss green and sweet brown glaze shades for bowl which are an ideal size for cereal or rice.
Diameter: 13cm, Height: 8cm.
Weight: 300g.
About Aya Kondo
Aya Kondo’s work first of all is based on patterns from her imagination. Born in Akita in the northern part of Japan, Kondo had a brief career in public service, which she interspersed with overseas travel to acquire observations in craft. In the end, like many others, she found her home in Kasama. An active potter in the town since 2001, her work reflects a strong sensibility for the table. Kondo frequently returns to the ‘icchin’ technique of dripper applied slip to create motifs on the surface of her ceramics. She holds this in balance with sweet browns, and moss greens that recall the environment around her. With consistency and patience, Kondo is an important modern element in Kasama’s historic role of delivering great ceramics to tables around Japan.
